 |
(05:14 Minutos)
*No Copyright Infringement Intended Fair Usage Act* Time for another nasty time for Franco to have his time in the spotlught Nasty Number #41: Bloody Moon (1981) Directed by Jesus Franco aka Die Säge des Todes aka The Saw of Death Music: www.jamendo.com - Dark Harvest - Beyond the Stars
|
 |
(02:30 Minutos)
Theatrical trailer for Vampyros Lesbos (1971). "A Psycho-Sexadelic Horror Freakout!" An erotic horror tale about a vixen vampiress seducing and killing women to appease her insatiable thirst for female blood. Directed by Jesus Franco. starring Soledad Miranda, Ewa Stromberg, Dennis Price, and José Martínez Blanco. Also known as: Lesbian Vampires Lesbian Vampires: The Heiress of Dracula The Heiress of Dracula The Heritage of Dracula The Sign of the Vampire The Strange Adventure of Jonathan Harker The Vampire Woman Vampiros Lesbos
|
 |
(01:40 Minutos)
www.filmotech.com "Dracula contra Frankenstein" (1972) Largometraje Terror Dirección Jesus Franco Llega a Holfestein un carruaje del que desciende Morpho, el criado sordomudo del Dr. Frankenstein. Pregunta en una taberna la dirección del castillo y se dirige allí para descargar su pesada carga. Ya en el castillo, el Dr. Frankenstein prepara un sofisticado laboratorio y da comienzo a sus infernales experimentos, infundiendo vida a su monstruo, quien rapta a una bailarina. Con la sangre de la raptada, Frankenstein, logra que vuelva a la vida el Conde Drácula, pero sometidos a su dominio.
|
 |
(01:40 Minutos)
Jesus Franco directs this 1981 slasher movie that follows Manuela, a young woman who, along with her mentally deranged brother, Miguel, operates a boarding school for girls in a Spanish resort town. When Miguel demands that he and Manuela resume an incestuous affair and she refuses, he sets his sights on Angela, while other young women also begin meeting a gruesome fate.
|
 |
(01:43 Minutos)
Unas palabritas de Jesus Franco en Antena 3 Visitar mi foro y mi blog de cine raro descatalogado.... Foro exhumedmovies.netau.net Blog psychotronickultvideo.blogspot.com
|
 |
(03:45 Minutos)
www.cinekids.net78.net Barbie e Teresa vivem em um chalezinho na floresta. Um dia elas encontram um espelho encantado que aprisiona uma das três musas da música em seu interior. Juntas, embarcam um uma grande aventura para salvar a mais nova amiga. Nessa linda história de amizade, encontram o mais belo castelo dos contos de fada, o 'Castelo de Diamante'. Baixe em nosso site.
|
 |
(02:42 Minutos)
antonella devolviendole el favor a patito. ellas estan bajo el echizo de socorro patito es antonella i antonella es patito, el profesor pide qe pazen a cantar antonella en el cuerpo de patito mui koketa sube a cantar diosa unica bonita, luewo antonella [patito] le devuelve el favor cantando un beso para mi. le sale muy linda la cancion
|
 |
(04:01 Minutos)
Música linda do filme "um amor para recordar" em português por Cris Duran, lindo d +.
|
 |
(08:08 Minutos)
A melhor cena do filme... E uma linda canção. =)
|
 |
(01:53 Minutos)
Fans of musical dramas may experience some deja vu while watching "Cadillac Records"; the story is remarkably similar to one told in the middle of 2006's "Dreamgirls," in a montage set to "Steppin' to the Bad Side." There's the plucky upstart studio where African-American musicians are pioneering new kinds of music. There's the driven record-label owner who's dispensing payola to deejays, trying to buy his way past institutionalized racism and cross over from the R&B ghetto to the white-dominated pop charts. There's the white group that steals a black musician's song and turns it into a hit single. There are lots of flashy new cars as symbols of success. And above all, there's the music, the motivator and the moneymaker, the one thing that heals all wounds?or at least in the case of the blues, expresses them. In "Dreamgirls," the sequence is a flashy, fictionalized amalgam of events from the Motown era. In "Cadillac Records," it's straight-up history. The film may also induce deja vu in longtime Chicago residents, because there's a chance they lived through these stories, when South Side brothers Leonard and Phil Chess relaunched Aristocrat as Chess Records and started releasing albums by the likes of Muddy Waters, Willie Dixon, Bo Diddley, Buddy Guy, John Lee Hooker, Sonny Boy Williamson, Howlin' Wolf, Chuck Berry and many more. "Cadillac Records" shrugs off Phil Chess and the label's early years in order to focus on Leonard, on some of the label's biggest personalities ...
|